New York Quarterly: Spring 1970; Number 2
New York Quarterly, New York, 1970, Wraps, , , Very Good
104 pp. Tiny bumps to fore edge corners, a little rubbing on white rear wrap. Contents: Allen Ginsberg-Manhattan Thirties Flash; Louis Ginsberg-Our Ride Back; RobertOh Faber-Mercator's Projection; Stephen Dunn-The Helper; Edmund Pennant-Whereas with a Rose; Susan Wecker-Recalling My Grandmother; Helena Moynihan-From the Shoemaker; Explaining; Leo Connellan-Imagine!; Robert Lax-More Suns; Laura Benet-Ah, Icarus; Nikki Giovanni-The Big Bad Black Buffalo; Virginia Bell-The Visit; Michael Harlow-Poem; William Stafford-When I Woke Up; Tracks; Rose Drachler-Longing; Jill Hoffman-After the Reading; Brian Swann-Spring; Anecdote from Dr. Kemp's Brief Treatise of the Nature, Causes, Signs, Preservation from, and Cure of the Plague; Donald Lawder-Color Story; John Hall Wheelock-Dialgue on the Tragic Flux Night; Robert Dugan-It Was Sitting on the Beach; There Was No Where to Go; Ron Padgett-Cut Shadows; Manu Sassoonian-We; John Tagiabue-The Suicide of Every Man; John Hollander-The Poem of One Line; Elizabeth Yazzetti-Hotel Richmond; Toby Olson-Species; Getting It Down on Paper; James Murphy-It Hurt an Awful Lot; Elizabeth Yazzetti-Retreating South; Susan Schell-On Waking First; Films on Poetry and Poets: Louise Bogan, Stanley Kunitz, Edward Field, W. S. Merwin, Eli Siegel, John Ashbery; Poetry Calendar; and more.
The Society for the History of Authorship, Reading and Publishing was founded to create a global network for book historians working in a broad range of scholarly disciplines. Research addresses the composition, mediation, reception, survival, and transformation of written communication in material forms from marks on stone to new media. Perspectives range from the individual reader to the transnational communication network. With more than a thousand members in over forty countries, SHARP works in concert with affiliated academic organizations around the world to support the study of book history in all its forms.
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Collection Summary Creator: Schoolcraft, Henry Rowe, 1793-1864 Title: Papers of Henry Rowe Schoolcraft 1788-1941 (bulk 1820-1856) Size: 25,000 items; 90 containers plus 1 oversize; 28 linear feet; 69 microfilm reels Repository: Manuscript Division, Library of Congress Abstract: Author, ethnologist, explorer, geologist, glass manufacturer, and Indian agent. Correspondence, journals, articles, books, manuscripts of magazines, poetry, speeches, government reports, Indian vocabularies, maps, drawings, and other papers reflecting Schoolcraft's career as a glass manufacturer, mineralogist on an exploring expedition in the Ozark Mountains, geologist on the Cass expedition to the Northwest Territory, leader of expeditions throughout the Great Lakes region, member of Michigan's legislative council, Indian agent, superintendent of Indian affairs for Michigan, ethnologist, and author of works concerning the Iroquois of New York state and other Indians of North America.
The Lucile project is an attempt to recover the publishing history of a single 19th century book. Owen Meredith's Lucile was first published in 1860, by Chapman & Hall in England and as a Ticknor & Fields "Blue & Gold" in the United States. It was reviewed in the New York Times, as well as other newspapers and magazines. In England, it saw only a handful of editions over the next 40 years. In the United States, however, it remained in print until 1938, last offered as a surviving title in Burt's Home Library remaindered to Blue Ribbon Books in 1936. It went out of print in 1938.
THIS EXHIBITION presents Renaissance editions of Dante's Divine Comedy from the John A. Zahm, C.S.C., Dante Collection at the University of Notre Dame, together with selected treasures from The Newberry Library. The Zahm collection ranks among the top Dante collections in North America. Purchased for the most part by Zahm in 1902 from the Italian Dantophile Giulio Acquaticci, the 15th- and 16th- century imprints presented here form the heart of Zahm's collection, which totals nearly 3,000 volumes, including rare editions and critical studies from the Renaissance to the present. The nine incunable editions and nearly complete series of 16th-century imprints featured in this exhibit constitute essential primary sources for both the history of Dante's reception during the Renaissance and the early history of the printed book.
News for nerds.
Freneau, Philip Morin, 1752-1832 Poems Relating to the American Revolution Philip Freneau with an introductory memoir and notes by Evert A. Duyckinck W.J. Widdleton New York 1865
"Woman, the New Factor in Economics." by Rev. Augusta Cooper Bristol. from The Congress of Women: Held in the Woman's Building, World's Columbian Exposition, Chicago, U. S. A., 1893.. Chicago, ILL: Monarch Book Company, 1894. pp. pp. 80-86. at The Celebration of Women Writers, University of Pennsylvania Digital Library
"Rev. Augusta Cooper Bristol is a native of New Hampshire. She was born April 17,1835. Her parents were Otis Cooper and Hannah (Powers) Cooper. In 1866 she married Louis Bristol, a lawyer of Connecticut. She is a woman of big brain, well stored with valuable information, and one of the most graceful and profound writers and speakers of the present day. Her principal literary works are a volume of poems and various published lectures, some of which have been translated into French. She is a member of no special church at present, but in faith is Unitarian, and not infrequently speaks from the pulpit. Her postoffice address is Vineland, N. Y." Augusta Bristol [1835-1910]
"Considered the most important work of literary history and criticism ever published, the Cambridge History contains over 303 chapters and 11,000 pages, with essay topics ranging from poetry, fiction, drama and essays to history, theology and political writing. The set encompasses a wide selection of writing on orators, humorists, poets, newspaper columnists, religious leaders, economists, Native Americans, song writers, and even non-English writing, such as Yiddish and Creole."
"NYU Bobst Library, NYU Institute of Fine Arts, NYU Courant Institute of Mathematical Sciences, NYU Real Estate Institute, The New-York Historical Society, New York School of Interior Design, Cooper Union, New School University, Parsons School of Design, Mannes College of Music."
The New York Public Library has been an essential provider of free books, information, ideas, and education for all New Yorkers for more than 100 years. Founded in 1895, NYPL is the nationís largest public library system, featuring a unique combination of 88 neighborhood branches and four scholarly research centers, bringing together an extraordinary richness of resources and opportunities available to all.
The EServer (founded in 1990 at Carnegie Mellon as the English Server), attempts to provide an alternative niche for quality work, particularly writings in the arts and humanities. Now based at Iowa State University, we offer fifty collections on such diverse topics as art, architecture, race, Internet studies, sexuality, drama, design, multimedia, and current social issues. In addition to short and longer written works, we publish hypertext and streaming audio and video recordings. Our collections grow as increased membership has new works to publish with us, and as we teach new members how to publish works to the Web and to the more than two million readers who visit our site per month. According to Alexa, this makes us the most popular arts and humanities website in the world.
An excellent report by Maureen Mulvihill of the auction of rare books and manuscripts from the estate of Paula Peyraud
The Paula Peyraud Collection: Samuel Johnson & Women Writers in Georgian Society. An Auction Report by Maureen E. Mulvihill as published in Eighteenth-Century Studies, Fall 2009, with 8 images and a list of selected buyers, prices & new locations of the Peyraud properties.
A pdf of the published report may be downloaded here: http://www.ilab.org/download.php?object=documentation&id=81
‘DARK LADY’ OF RARE BOOK COLLECTORS, PAULA FENTRESS PEYRAUD (CHAPPAQUA, NY, 1947 ~ 2008). Peyraud Collection Auction, May 2009, Bloomsbury Auctions N.Y. 483 Lots (books, manuscripts, images). Sales total: $1.6 million, including premium. Photograph, Margie Van Dyke. Bookplate from Peyraud copy of Frances Burney’s Cecilia, (lot 218, buyer McGill University). Bookplate bears inscribed initials (“FCP - EKP”), being the collector’s grandparents Frank C. Peyraud & Elizabeth Krysler Peyraud, both visual artists (see “Peyraud,” Benezit, vol. 10, 2006 edition).
ODE TO THE WEST WIND
I O Wild West Wind, thou breath of Autumn's being, Thou from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow and black, and pale, and hectic red, Pestilence stricken multitudes! O thou Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o'er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odors plain and hill; Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, O hear! II Thou on whose stream, 'mid the steep sky's commotion, Loose clouds like earth's decaying leaves are shed, Shook from the tangled boughs of heaven and ocean, Angels of rain and lightning! there are spread On the blue surface of thine airy surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith's height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapors, from whose solid atmosphere Black rain, and fire, and hail will burst: O hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lulled by the coil of his crystalline streams, Beside a pumice isle in Baiae's bay, And saw in sleep old palaces and towers Quivering within the wave's intenser day, All overgrown with azure moss, and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic's level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: O hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over heaven, As then, when to outstrip thy skiey speed Scarce seemed a vision - I would ne'er have striven As thus with thee in prayer in my sore need. O! lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chained and bowed One too like thee - tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own? The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe, Like withered, leaves, to quicken a new birth; And, by the incantation of this verse, Scatter, as from an unextinguished hearth Ashes and sparks, my words among mankind! Be through my lips to unawakened earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?Percy Bysshe Shelley [1792-1822]