Die Reihe 7: Form—Space
Theodore Presser Co in association with Universal Edition, Bryn Mawr, Pa.; London, 1965, Wraps, , , Good /
87 pp. Good, Octavo. Wraps with wear and soiling, previous owner’s signature. Edited by H. Eimert & K. Stockhausen. Contents: György Ligeti—“Metamorphosis of Musical Form”; Ursula Burghardt-Kagel—“Amancio Williams Space Theatre”; Christian Wolff—“On Form”; Mauricio Kagel—“Translation-Rotation”; John Whitney—“Moving Pictures and Electronic Music”; Rainer Fleischhauer/Jörn Janssen—“Project for 200,000 Inhabitants”; Jörn Janssen—“Initial Project. Designed for Gottfried Michael Koenig.”; Details to other volumes of Die Riehe. (All but Christian Wolff translated by Cornelius Cardew.)
THIS EXHIBITION presents Renaissance editions of Dante's Divine Comedy from the John A. Zahm, C.S.C., Dante Collection at the University of Notre Dame, together with selected treasures from The Newberry Library. The Zahm collection ranks among the top Dante collections in North America. Purchased for the most part by Zahm in 1902 from the Italian Dantophile Giulio Acquaticci, the 15th- and 16th- century imprints presented here form the heart of Zahm's collection, which totals nearly 3,000 volumes, including rare editions and critical studies from the Renaissance to the present. The nine incunable editions and nearly complete series of 16th-century imprints featured in this exhibit constitute essential primary sources for both the history of Dante's reception during the Renaissance and the early history of the printed book.
"With over 250 titles in print, Pendragon Press is a leader in the publication of musicological research, reference works, and studies of many aspects of musical life. With 27 series, ranging from Aesthetics to the history of theory, to vocal music, we have been servicing the musicological community for over 30 years, and, with the help of our friends, hope to continue for another 30. "
The EServer (founded in 1990 at Carnegie Mellon as the English Server), attempts to provide an alternative niche for quality work, particularly writings in the arts and humanities. Now based at Iowa State University, we offer fifty collections on such diverse topics as art, architecture, race, Internet studies, sexuality, drama, design, multimedia, and current social issues. In addition to short and longer written works, we publish hypertext and streaming audio and video recordings. Our collections grow as increased membership has new works to publish with us, and as we teach new members how to publish works to the Web and to the more than two million readers who visit our site per month. According to Alexa, this makes us the most popular arts and humanities website in the world.
“Most people know the legend of Thomas Chatterton -- brilliant poet who failed to make a living, starved himself to send expensive presents to his family, and died by his own hand at seventeen -- much better than his poems. Like all legends, it is partial and exaggerated, but was a powerful influence on the Romantic movement and long after. The painting "The Death of Chatterton" by Henry Wallis epitomises this reputation. His fame rests, apart from this almost unbearably romantic life story, on his "Rowley Poems". These he wrote in a sham Middle English dialect, and passed off as the work of Thomas Rowley, a priest of Bristol in the fifteenth century, and some of his friends. The imposture was quickly detected (though some continued to believe in him for many years), but they were published in a collected edition after his death and were popular and much admired by the Romantic poets, especially Wordsworth, Shelley, and Keats, who dedicated "Endymion" to the memory of Thomas Chatterton.”
An excellent report by Maureen Mulvihill of the auction of rare books and manuscripts from the estate of Paula Peyraud
The Paula Peyraud Collection: Samuel Johnson & Women Writers in Georgian Society. An Auction Report by Maureen E. Mulvihill as published in Eighteenth-Century Studies, Fall 2009, with 8 images and a list of selected buyers, prices & new locations of the Peyraud properties.
A pdf of the published report may be downloaded here: http://www.ilab.org/download.php?object=documentation&id=81
‘DARK LADY’ OF RARE BOOK COLLECTORS, PAULA FENTRESS PEYRAUD (CHAPPAQUA, NY, 1947 ~ 2008). Peyraud Collection Auction, May 2009, Bloomsbury Auctions N.Y. 483 Lots (books, manuscripts, images). Sales total: $1.6 million, including premium. Photograph, Margie Van Dyke. Bookplate from Peyraud copy of Frances Burney’s Cecilia, (lot 218, buyer McGill University). Bookplate bears inscribed initials (“FCP - EKP”), being the collector’s grandparents Frank C. Peyraud & Elizabeth Krysler Peyraud, both visual artists (see “Peyraud,” Benezit, vol. 10, 2006 edition).
Written in Spring
This gentle breath which eddies round my cheek,— This respiration of the waking spring,— How eloquently sweet it seems to speak Of hope and joy to every living thing! To every?—No, it speaks not thus to all Alike of hope; where misery gnaws the heart, Her gentle breathings on the senses fall Like hateful thoughts that make the memory start. The soul grows selfish where enjoyment flies, And, loathing, curses what it cannot taste; This glorious sun, and yon blue, blessed skies, And this green earth, but tell him of the past; The frightful past, that other name for death, That, when recalled, like mocking spectres come,— In forms of life, without the living breath, Like things that speak, yet organless and dumb! For all that seems in this fair world to live, To live to man, must catch the quickening ray From man’s free soul; and they but freely give Back unto him the life he gave; for they Are dead to him who lives not unto them. But unto him, whose happy soul reposes In love’s sweet dream, how exquisite a gem Seems every dewdrop on these budding roses! The humblest plant that sprouts beneath his feet, The ragged brier, nay, e’en the common grass, Within that soul a kindred image meet, As if reflected from an answering glass. And how they seem by sympathy to lend Their youthful freshness to each rising thought, As if the mind had just begun to send Her faculties abroad, uncurbed, untaught, From all in nature beautiful and fair To build her splendid fabrics, while the heart, Itself deluding, seems by magic rare To give a substance to each airy part. Sweet age of first impressions! free and light! When all the senses, like triumphal ports, Did let into the soul, by day, by night, The gorgeous pageants pouring from the courts Of Nature’s vast dominions!—substance then To the heart’s faith; but, now that youth’s bright dawn No longer shines, they flit like shadowy men That walk on ceilings; for the light is gone! Yet no,—not gone; for unto him that loves, The heart is youthful and the faith is strong; And be it love, or be it youth, that moves The soul to joy, that light will live as long. And, O, how blest this kind reacting law, That the young heart, with Nature’s beauties glowing, Should need, in all it felt, in all it saw, Another heart to share its overflowing; While he that feels the pure expansive power Of joyous love, must pour his feelings forth On every tree, and herb, and fragrant flower, And all that grows upon the beauteous earth.Washington Allston [1779–1843]